Icy dreamie3/15/2023 Meravigliosamente senza nemmeno avvicinarsi al fronte (Jones Pianoforte, archi e clarinetto aumentano laĭel quartetto e massimizzano gli effetti. Musica quieta, delicata, malinconica che è ricca di emozioni ( Change In Her Opera, Alkaline Eyes, Darkness Blueĭay And Night (Drag City, 1997) mostra una maggiorīallate della Brook ( Sun Drawing, Summer) sembrano Valley, Coastal Lagoon, Darkness Blue Glow) e Underground ( Orange, Late July, Heatwave Movietone (Planet, 1996) risente sempre dell'influenza dei La Brook dimostra di essere una compositrice ben più espertaĭi quanto fosse il suo ex-partner Pearce. (1995) adotta un piglio più sperimentale, quasi free-jazz. La sua devozione per il sound dei Velvet Underground, mentre Mono Il singolo She Smiled Like Mandarine (Planet, (Translation by/ Tradotto da Paolo Latini)Īttack per dedicarsi al suo progetto solista che lei ha iniziato Then the music pauses, sinking into one of their sonic quicksands The singer intones a middle-eastern psalm in slow motion. The lengthy The Crystallisation of Salt At Night simply expands on The suspense of Summer, which then collapses in a desolate stasisįor the somnambulant melody to emerge from. Tiny notes of piano and a distorted viola a` la John Cale create Orchestrated on the canvas, with consistency of color a clear mandate. The exotic clarinet serenade of Night of the AcaciasĪre exercises in painting rather than in composing: the elements are carefully The swinging, Brazilian sub-lullaby of Useless Landscape, The delicate, hypnotic filigree of Sun Drawing, Kate Wright is a mature vocalist that well complements the icy/dreamy quality Matt Jones' subdued percussions work wonders without ever coming to theįorefront (Jones also leads the Crescent). Piano, strings and clarinet augment the quartet's instruments to maximize the Melancholy twilight music that is rich in emotion even though poor in melody. ( Orange, Late July, Heatwave Pavement, Mono Valley,Ĭoastal Lagoon, Darkness Blue Glow) and of the shoegazersĭay And Night (Drag City, 1997) displays more autonomy.īrook's ballads ( Sun Drawing, Summer) come through as aĬolder, darker Mazzy Star quiet, delicate, Movietone (Planet, 1996) is still under the influence of the Velvet Mono Valley (1995) adopted a more experimental, almost free-jazz,įrom the beginning, Brook proved to be a much more skilled and creativeĬomposer than her ex-radical partner Pearce. The single She Smiled Like Mandarine (Planet, 1994) introduced herĭevotion for the sound of the Velvet Underground, while Project she started with guitarist Matt Elliot of Rachel Brook left Flying Saucer Attack to focus on the ( Copyright © 1999 Piero Scaruffi | Legal restrictions - Termini d'uso ) Movietone: biography, discography, reviews, best albums, ratings
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